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One Hand Clapping:
The Taoe of Music

WholeArts and The Psychic Internet is proud to present the "Preface" and "Part One" of this remarkable book by Daniel d'Quincy. "One Hand Clapping: The Tao of Music," originally published by WholeArts in 1991, is a book-length essay on the performance of music from the perspective of Eastern philosophy and religion. Mr. d'Quincy is a noted composer, musician, author, inventor, educator, speaker, and photographer. Please visit his unique music sites at WholeArts: syNThony, and the WholeArts Online Music Conservatory.

Page 51

Consider the parable about how the stomach, the mouth, the hands, and the legs fell to arguing one fine day. It occurred to the mouth that the stomach was having all of the enjoyment and doing none of the work. The legs searched out the food, the hands cleaned and prepared it, the mouth chewed it, and the stomach… Well, the stomach only enjoyed it. And so, the mouth, the hands, and the legs, decided to go on strike against the stomach. Pretty soon they became weaker, and weaker, and began to waste away. Suddenly they realized that it was the stomach that nourished them and made them strong.

It may be informative to consider how traditional Chinese medicine conceives of the body and its functions. This exquisitely subtle and effective science and art is exemplary of the eastern approach to things in general. Chinese medicine began its development through the millennia with an implicit bow to the cohesiveness and integrity of Nature. The connective principle is everything in Chinese medicine. The theory of the circulation of energy through the connective meridians of acupuncture is still regarded today as primitive rubbish by most western doctors, and one wonders if their resistance to it arises from a fundamental refusal to countenance a body without (fully replaceable) parts. So little interested was Chinese medicine in analyzing the body into its respective organs that, even today, traditional Chinese medicine fails to account for the importance and precise location of many organs – just as it incorporates a few organs that medical doctors in the West do not recognize as real. Doctors of Chinese medicine in our time of course know the proper number and location of the physical organs, but they continue to find the old schematic, and highly imaginative, anatomical descriptions useful to their specific purposes. Chinese doctors do not really treat individual organs, and they do not adhere to the reductionist equation of individual diseases with easily isolated causes. For them, the human body is imaginatively apperceived as an organic environment. The health of its entirety depends on creating the right conditions everywhere, bringing coolness and moisture to the places that need those conditions, and providing for warmth and dryness where they are needed. Basically, the body is treated very much in the same way as one might cultivate a garden. It was noted above how highly valued is the Japanese art of gardening. A garden is in a way a universe, a wholeness, unto itself. And it is the wholeness of things in general that appeals to the eastern mentality.

From the Ego’s point of view, it seems that we are always trying to determine what we are, and exclude what we are not. To find the Ego, one must cut away and separate, break things down and isolate the essentials. We saw how futile that exercise can be. But from the point of view of the Self, the things that we are and the things that we are not revolve around each other in an intimate dance of togetherness. We do not have to see ourselves as isolated identities carried about in a sack of this “too solid flesh.” From a purely biological standpoint, one must admit that our skins serve as well to join us to the world as to separate us from it. My skin separates my insides from my outsides. But, the inside or the outside, which is most particularly mine? We breathe through our skins, and absorb the heat and light of the sun, do we not? And where would we be without the air we breathe and the sun we absorb? Are they not just as much a part of us? Do we not incorporate the sun and the air in our very tissues? A great German philosopher and poet, Heinrich Heine, said in the 19th century, "You are what you eat" because he wanted us to consider where we would be without the water we drink and the food we eat?[1] The idea lay dormant, and it took more than a century before the Hippies revived it, but the idea eventually sprouted forth into the ecology and good-foods movements of today - and better late than never.

[1]"How difficult, how extremely difficult for the soul to sever itself from its body the world: from mountains, seas, cities, people. The soul is an octopus and all these are its tentacles." - Nikos Kazantzakis.(Next Page)

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