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One Hand Clapping:
The Taoe of Music

WholeArts and The Psychic Internet is proud to present the "Preface" and "Part One" of this remarkable book by Daniel d'Quincy. "One Hand Clapping: The Tao of Music," originally published by WholeArts in 1991, is a book-length essay on the performance of music from the perspective of Eastern philosophy and religion. Mr. d'Quincy is a noted composer, musician, author, inventor, educator, speaker, and photographer. Please visit his unique music sites at WholeArts: syNThony, and the WholeArts Online Music Conservatory.

Page 35

Now it mustn’t be supposed that we will make a case here for relativism. We are only pursuing an inquiry by entertaining all of the possible ideas that arise from it. We are not getting to any conclusions yet, not trying to sell a philosophical or religious position. Nor are we trying to deny the obvious. Surely, intelligent and mature people are quite right to make ordinary distinctions between things for purely practical reasons, and only a shallow and frivolous mind can object to that. After all, “One has to draw the line somewhere.” We have been discovering, however, that trouble arises when we focus on the foreground of a picture to the exclusion of the background. And this kind of trouble can actually be seen in all phases of our life.

We see it most clearly in our human relationship with our planetary environment. Preoccupation with the foreground means very substantial trouble, for example, when pesticides are spread wholesale over the land to control some specific pest, with the result that workers in the fields get sick, and the region’s wild birds can’t hatch viable eggs. We seem always to be caught up in our own special interests, with various agendas vying for the regulatory foreground. A debate now rages in the nation over the encroachment of human development on the fate of endangered species. The row over the spotted-owl presents the emblematic case. It is understandable that people whose lives are dependent on the lumber industry would tend to look askance at that peculiar little bird. But, in truth, it is not the little bird that they are putting in the background here, but the forest itself. If the spotted-owl could speak, she would say not that we are saving the forest for her, but that her cause is saving the forest for us, and for all the other creatures on this planet. She would remind us that a tree is not only a source of lumber, a mere background to human desire and greed. Walt Whitman once asked, "Why are there trees I never walk under but large and melodious thoughts descend upon me?"

There is one typical way that we in the west create trouble through our attitude to backgrounds: in short, ignorance and denial. Thus, for example, during the heyday of segregation in America, a so-called black, but really just dark, human being could think of himself, and write a book entitled, “The Invisible Man.”[1] And today, in America, a great many of us are still invisible: the poor, the homeless, the mentally ill, etc.

Just to demonstrate how deeply averse we are to seeing beyond the foreground in our image of things, consider the primary conceptual basis of our social and political system. Today in America, a completely baseless ideology posits unlimited opportunity for every citizen. The idea is that every good person can be, and will be, if left to their natural devices, rich. We seem to suppose that each and every one of us can be brought into the foreground of the “American Dream,” and this notion is in the foreground of our view of things generally. Nobody, anywhere, or at any time, is willing to acknowledge our actual and very practical obeisance to the implicitly contradictory principal of monetary exchange by which we actually live – a principle that is kept strictly in the background and out of sight, to wit: the money in my pocket is valued in inverse relation to the money in everybody else’s pocket.[2] There is no value in what everybody has. Only when I have something that is rare and hard to come by is it worth anything at all. That you see is the background of our monetary system. It seems almost too elementary to point this out, except that most people simply do not understand that our own national wealth depends directly and necessarily on the unparalleled poverty in which most of the world now languishes without a hope or prayer. These are things that we dare not think about. Instead, squarely in our sights is the glittering success of the wealthy. This alone may be seen in the public eye of the media. Thus, during the most prosperous decade in our history, millions of homeless children on our cities’ streets are as invisible as we can make them. They are not regularly featured on our greatly admired evening news magazine, “Nightlying.”[3]

[1] Ralph Elison

[2] This is of course a paraphrase of Ruskin’s memorable formulation.

[3] I.e. “Nightline.” (Next Page)

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