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One Hand Clapping:
The Taoe of Music

WholeArts and The Psychic Internet is proud to present the "Preface" and "Part One" of this remarkable book by Daniel d'Quincy. "One Hand Clapping: The Tao of Music," originally published by WholeArts in 1991, is a book-length essay on the performance of music from the perspective of Eastern philosophy and religion. Mr. d'Quincy is a noted composer, musician, author, inventor, educator, speaker, and photographer. Please visit his unique music sites at WholeArts: syNThony, and the WholeArts Online Music Conservatory.

Page 26

Chapter Four

"In the beginning of creation…the earth was without form, and void." Thus, even in the Bible, which proposes to tell all, there is mute respect for the boundary between this Universe and whatever did or did not precede it. It begins, as it were, not quite at the beginning. When the scene of Creation opens, the “earth” already exists, but in a condition that is “without form, and void.”

The coupling of the idea of the “void” with the idea of being “without form” is odd, appearing as it does at such an early date, for it is prescient of current physical theories based on experimental research in the laboratory. Our most advanced physics is even now trying to define more precisely its concept of the “void,” which it calls the “vacuum,” and there are many theoretical problems in the way of settling the issue. Nevertheless, it is already clear that the idea of space as an empty region where nothing exists is untenable.

Science liked previously to view the vacuum as a place where not even one single infinitesimal particle of matter is left to reflect or perturb even one single solitary ray of light. But this has presented something of a problem, because new developments are leading us to conclude that there are things called “virtual particles” in the emptiness of space. These particles appear, however, in a pattern of random fluctuations that are literally without recognizable form. Many researchers despair of every capturing these virtual particles in the laboratory, since the vibratory energies involved would be so unimaginably intense. They come into and out of existence at a pace that renders them in effect invisible and intangible, just as the arms of a propeller seem to disappear as it gets to revolving faster and faster. (But don’t stick your hand in there!)

The idea of the void also pervades the religious thought of all the great cultures of the East. In fact, it is central to the general orientation of eastern religion, and philosophy, and it plays a role that goes far beyond the glancing nod that is given it in Genesis. But since different eastern religions and philosophical systems describe the void in different ways, there is bound to be a great deal of misunderstanding among westerners about what it means exactly.

First we may reiterate what it does not mean. As in the West (where, as noted above, religious and scientific thinking may now be in vague agreement in this minor respect), the void is not a dimension of literal emptiness in which nothing exists. It can best be described not as a place, but as a condition. The condition of the void is defined as being, not empty, but rather “without form.” Have you ever seen a color without a shape? A shape without a color? Imagine one of these and you will have captured a snapshot of the void.

Thus, when the words empty and emptiness are used in the East with reference to spiritual goals, one should not suppose that this implies any sort of expunging of the Universe. It has nothing to do with self-annihilation, physical obliteration, or mental dissolution. The Taoist phrase, empty the mind and fill the belly, refers to a condition that reconciles every existing thing with the formless void. We shall see how this may be possible in the course of this book. But in principle it ought not to strike us as implausible at all, for that reconciliation is just exactly what Nature accomplishes effortlessly and flawlessly as a matter of course. In a way that we cannot begin to fathom, Nature takes the mere “quanta” of physical reality, which are collectively the void, and transforms them into fish and flowers, trees and transistors. For Her this is no problem. (Next Page)

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